‘O Romeo’ Box Office Collection Day 7 & 8: Shahid Kapoor’s Film Wraps Week 1 With Rs 72 Crore Worldwide
O Romeo concluded its first week at the box office with global earnings exceeding ₹72 crore, according to latest industry trackers. The film, headlined by Shahid Kapoor and featuring Triptii Dimri in a pivotal role, opened on February 13, 2026 around Valentine’s Day, a period that typically attracts audiences to romantic and emotionally charged stories. The initial weekend momentum has carried through the early weekdays, helping O Romeo build a respectable total by Day 8 of its release.
The film’s performance reflects patterns seen in many genre films: a strong weekend surge followed by moderate weekday collections. Early figures showed O Romeo crossing ₹20 crore over its first two days. As the film moved into Days 3 through 5, it maintained enough interest in both urban and semi-urban centres to continue adding to its global tally. Mid-week attendance slowed somewhat, as is common after holiday viewership peaks, but the film still managed to add meaningful revenue each day, leading to a cumulative total above ₹72 crore after eight days.
Industry analysts note that reaching this total in the first week signals a steady audience base, particularly for a film that is not positioned as a conventional mass entertainer. While reviews from critics were mixed, audience response on social media and word of mouth in certain demographics contributed to continued footfall in multiplexes. Observers point out that films with focused storytelling and strong central performances often find a rhythm that sustains box office returns beyond opening weekend peaks.
Domestically, O Romeo found stronger support in markets where romantic drama and performance-driven cinema resonate well. In addition, overseas collections formed a reliable portion of the film’s global earnings. Bollywood films starring major actors like Shahid Kapoor often draw significant attention in regions with South Asian communities, adding to international box office contributions.
O Romeo’s total crossing ₹72 crore also highlights how strategic release timing, such as around Valentine’s Day, can create a favourable launch window for romance-oriented titles. While the film did not break records, reaching this milestone by the end of Week 1 shows a sustained level of commercial viability. Analysts expect that second-week earnings will depend largely on continued word-of-mouth and competition from new releases entering theatres in the same period.
Some trade experts believe that if O Romeo continues to hold steady through the second week, its lifetime collections could build further on this base, especially if it draws repeat viewings in key centres. The film’s music, aesthetic appeal and the leads’ fan followings continue to be highlighted as factors that helped maintain audience interest beyond the opening days.
As the first week closes, O Romeo has positioned itself as a moderate box office success, crossing the ₹72 crore mark globally and signalling that audience engagement remains steady even as new films begin to enter the marketplace. The film’s trajectory will become clearer in the coming weeks as it competes with fresh releases and continues its theatrical run.
The film’s performance reflects patterns seen in many genre films: a strong weekend surge followed by moderate weekday collections. Early figures showed O Romeo crossing ₹20 crore over its first two days. As the film moved into Days 3 through 5, it maintained enough interest in both urban and semi-urban centres to continue adding to its global tally. Mid-week attendance slowed somewhat, as is common after holiday viewership peaks, but the film still managed to add meaningful revenue each day, leading to a cumulative total above ₹72 crore after eight days.
Industry analysts note that reaching this total in the first week signals a steady audience base, particularly for a film that is not positioned as a conventional mass entertainer. While reviews from critics were mixed, audience response on social media and word of mouth in certain demographics contributed to continued footfall in multiplexes. Observers point out that films with focused storytelling and strong central performances often find a rhythm that sustains box office returns beyond opening weekend peaks.
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Domestically, O Romeo found stronger support in markets where romantic drama and performance-driven cinema resonate well. In addition, overseas collections formed a reliable portion of the film’s global earnings. Bollywood films starring major actors like Shahid Kapoor often draw significant attention in regions with South Asian communities, adding to international box office contributions.
O Romeo’s total crossing ₹72 crore also highlights how strategic release timing, such as around Valentine’s Day, can create a favourable launch window for romance-oriented titles. While the film did not break records, reaching this milestone by the end of Week 1 shows a sustained level of commercial viability. Analysts expect that second-week earnings will depend largely on continued word-of-mouth and competition from new releases entering theatres in the same period.
Some trade experts believe that if O Romeo continues to hold steady through the second week, its lifetime collections could build further on this base, especially if it draws repeat viewings in key centres. The film’s music, aesthetic appeal and the leads’ fan followings continue to be highlighted as factors that helped maintain audience interest beyond the opening days.
As the first week closes, O Romeo has positioned itself as a moderate box office success, crossing the ₹72 crore mark globally and signalling that audience engagement remains steady even as new films begin to enter the marketplace. The film’s trajectory will become clearer in the coming weeks as it competes with fresh releases and continues its theatrical run.









