O Romeo Sees Strong Opening Weekend, Crosses ₹30 Crore at Box Office

The latest Bollywood release O Romeo, starring Shahid Kapoor and Triptii Dimri, has delivered a promising opening weekend at the box office, collecting over ₹30 crore in global earnings across its first four days. The film’s strong early performance reflects solid audience turnout in theatres nationwide and sizeable contributions from overseas markets.

O Romeo opened to theatres with decent momentum, drawing audiences curious about the chemistry between its lead actors and the film’s blend of romance and drama. While opening day collections were modest, a combination of positive word of mouth and holiday viewership played a role in pushing the weekend total above the ₹30 crore mark. Box office trackers indicate that Day 3 saw better occupancy in multiplexes and single-screen cinemas alike, helping maintain pace after the initial two days.

Shahid Kapoor’s presence as a bankable star continues to draw viewers, especially in metropolitan centres and tier-I markets. Triptii Dimri, who has been gaining recognition for her previous performances, added freshness to the pairing, which appeared to resonate with young audiences. The film’s music and promotional activities also contributed to heightened interest, with many promotional events drawing media attention in the days leading up to release.

Domestic collections for Day 3 and Day 4 reflected continued audience engagement, though they did not reach the peaks often associated with blockbuster openings. Still, surpassing ₹30 crore within the first weekend is considered a positive start for films that are not positioned strictly as mass entertainers. Industry analysts noted that O Romeo’s performance was particularly strong in cities where urban audiences showed greater responsiveness to romance-driven narratives.

While exact numbers vary by region, the overall trend suggests that moviegoers are willing to give space to fresh storytelling and character-driven films, even in a market crowded with multiple simultaneous releases. Overseas box office contributions have been noteworthy as well, particularly in markets with significant South Asian diaspora, where early reviews and social media buzz helped drive attendance.

Critics’ responses to O Romeo have been mixed, with praise for the leads’ performances but varied opinions on pacing and storyline. Despite this, audience reactions on social media appeared more favourable in some circles, particularly among fans who appreciated the film’s aesthetic and character dynamics. This mixed critical environment creates an interesting dynamic for the film’s run beyond the opening weekend.

Looking ahead, O Romeo will need to sustain interest through weekdays by relying on consistent audience turnout and favourable viewer recommendations. Films with strong core performances often benefit from extended legs at the box office if they maintain visibility and positive chatter. Seasonal factors, including continuous holiday or extended weekend viewing patterns, could also help maintain numbers above the typical post-opening drop.

In summary, O Romeo’s box office journey has begun on a promising note. Crossing ₹30 crore over its first four days reflects a combination of star pull, audience curiosity and strategic release timing. Whether it can continue this momentum in the second week will depend largely on viewer sentiment and the competitive landscape as new films enter the market.