Exact 'Heathcliff flush' blush Margot Robbie is wearing on her Wuthering Heights press tour
We can hardly blame Margot Robbie for looking flushed on her 'Wuthering Heights' press tour – standing next to Jacob Elordi would do that to us, too. But the flush of flawless colour may not be a result of her hunky co-star, but rather three products her make-up artist, Pati Dubroff, has been using on her all week. We'd even hazard a guess that they;re the exact one used in the film as well.
To get that fresh, just-in-from-the-moors flush, Pati didn’t rely on a single blusher; she layered three. She started with Chanel’s N°1 De Chanel Lip And Cheek Balmin two shades: Berry Boost and Red Camellia, £42. Her technique is to warm the creams between her fingers and press them onto the apples of the cheeks and slightly underneath, before blending the colour up and out.
Finally, she ran a pink-toned Chanel Baume Essential, £38, across the tops of the cheekbones, which works like a tinted highlighter and gives the whole look that glossy, healthy finish. The look was set with a thin layer of powder to avoid flash-back on cameras, but not enough to make the skin look cakey.
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Since the make-up we know today didn't exist back in the late 18th century, when the film is set, Margot's make-up on this tour has been made to reflect that, showing real skin, minimal eye make-up and little to no contouring. However, it's accurate that the blush would be played up, considering 'rouge' for lips and cheeks was very much a trend back then, with the bold berry colours coming from insects or, often toxic, minerals.
For Thursday's London premiere look, Margot, who plays Cathy, appeared to wear what looked like Charlotte Brontë's original mourning bracelet, dating back 175 years. The mourning bracelet, which is normally on show at the Brontë Parsonage in Haworth, West Yorkshire, is believed to be made with the intertwined hair of Charlotte's deceased sisters, Emily and Anne.
At the centre of the bracelet is a glistening amethyst. While this sounds a tad extreme in this day and age, wearing the hair of a dead relative was the thing to do in the middle and upper classes during the early Victorian era.
This latest piece of priceless jewellery comes a week after Margot wore a £6.4 million necklace once gifted to Elizabeth Taylor by Richard Burton. The pendant, which dates back to 16th-century India and is mounted in jade with a gold, ruby, and diamond chain, is inscribed with the words “love is everlasting” in Parsee.